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Colliding feminisms: Britney Spears, "tweens," and the
politics of reception
Video-games, cartoon violence, and
"shoot-em-up" action movies provoke school shootings. Ever-shrinking supermodels
and actors encourage eating disorders. Heavy metal music lures boys to Satanism
and suicide. Hollywood teaches girls passivity and submission. Or so we learn on
the nightly news.Scores of studies that seem to support an influence of media
content on audience beliefs and behavior drive our ever-current
"blame-the-media" political climate. These high-profile studies, many of them
policy oriented, typically conclude that the social wellbeing of a particular
group is endangered by the frequent depiction of violence, sex, sexism, racism,
consumerism, and even light "PG" violence or sexual innuendo. Concerning body
image and the health of women and girls, effects researchers tend to concentrate
most intensely on the role that advertising, fashion magazines, and
celebrities--actors and supermodels in particular--play in shaping female body
perception. Feminist writing, particularly in the 1970s and early 1980s, often
argues that images of women in subordinate, passive, or even nontechnologically
savvy roles encourage societal adherence to patriarchal notions of femininity.
The popular press itself, typically the perpetrator in media crimes, now
frequently toes the line. The cover of the February 14, 2000 People Weekly, for
example, reads: "Pop princess Britney Spears: Too sexy too soon? Little girls
love her, but her image makes some moms nervous." The message is loud and clear:
Mom, be nervous; be very, very nervous.
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